«Revolution DADA is a sensual experience: a composition of words, sound, and images is displayed to the audience, you won't get out of your mind so quickly......»
041 - Kulturmagazin

REVOLUTION DADA is an ironic, physically demanding, visual spectacle that tries to describe the contemporary world in all of its beauty, horror and complexity. Carefully unbalanced between funny and not funny the performance shows the hard work of language.

«The Dance Company Rotes Velo manages to interweave sense and nonsense in an ironic, funny and deadly serious way at the same time...»
041 - Kulturmagazin

Written in chalk on blackboard, the ‘normally’ unthinkable is here framed as part of some exhaustive vocabulary-lesson-gone-wrong. The performance shows language at the very edges of its ability and desire of finding ways to turn words into bodies, substances and actions.
Best described as a kind of disastrous vaudeville, the performance succeeds in creating a collage of arresting images in an anarchic, yet strongly poetic, style..

«The company Rotes Velo accomplishes a convincing execution of the revival of an era through their creative and unconventional properties...»
041 - Kulturmagazin

About the piece

Embedded in the spirit of the artists who founded CABARET VOLTAIRE 103 years ago, the team betakes to the adventure of creating a conceiving a new world.

DADA wanted to bring together art and life by praising freedom, contrariety, chance, nonsense, humour and creative chaos.

When ROTES VELO Kompanie prizes intuition higher than reason they are aiming for filling the stage with a delirium of images, scenes and incidents. Against eternal beauty and against static principles and rules.


Emilio H. Díaz Abregú, Exequiel Barreras


PERFORMANCE: Yannick Badier,
Marie Delprat, Viva Foster,
Petr Nedbal, Jack Widdowson

Emilio H. Díaz Abregú

Flavia Somalvico, Kim Zumstein

Jacques Erlanger, Liselotte Hunziger-Kraessig, Hella Immler

Revolution Dada / 2018




TOUR 2019
17. January, 20:00 - Grabenhalle, SG
18. January, 20:00 - Grabenhalle, SG
19. January, 20:00 - Grabenhalle, SG
23. January, 20:00 - Hof zu Wil
24. January, 20:00 - Hof zu Wil
25. January, 20:00 - Eisenwerk, Frauenfeld
27. January, 18:00 - TanzRaum, Herisau
29. January, 20:00 - Neubad, Luzern
31. January, 20:00 - Brückenpfeiler, Bern
1. February, 20:00 - Brückenpfeiler, Bern
2. February, 20:00 - Brückenpfeiler, Bern
26. November, 20:00 - Grabenhalle, SG
27. November, 20:00 - Grabenhalle, SG
30. November, 20:15 - TaG, Winterthur
4. December, 20:00 - Bühne S, Zürich
5. December, 20:00 - Bühne S, Zürich

TOUR 2020
15. January, 20:00 - Brückenpfeiler, Bern
16. January, 20:00 - Brückenpfeiler, Bern

Media reports

«Revolution DADA is a sensual experience: a composition of words, sound, and images is displayed to the audience, you won't get out of your mind so quickly...» (read more)

041 - Kulturmagazin, 30. Januar 2019

«The Dance Company Rotes Velo manages to interweave sense and nonsense in an ironic, funny and deadly serious way at the same time...»
(read more)

041 - Kulturmagazin, 30. Januar 2019

«The company Rotes Velo accomplishes a convincing execution of the revival of an era through their creative and unconventional properties...»
(read more)

041 - Kulturmagazin, 30. Januar 2019

«The 16th century meets the 22nd century. A moment of happiness.»
(read more)

Saiten Kulturmagazin, 17. Januar 2019

«Revolution DADA ist a collage of scenes that have been combined in an ironic way..» (read more)

St.Galler Tagblatt, 17. Januar 2019

«The dancers' language» (read more)
St.Galler Tagblatt, 17. Januar 2019

«Revolution “DADA”: the world shown in its beauty and horror.» (read more)

hallowil, 23.Janaur 2019

«Somber and humorous Dada»
(read more)

Appenzeller Zeitung, 24. Januar 2019

Supported by

Swisslos Kanton St.Gallen
Stadt St.Gallen
Gemeinde Wohlen BE
Burgergermeinde Bern
Migros Kulturprozent
Sophie & Karl Binding Stiftung

ThurKultur Wil
Fuka Fonds
Walter & Verena Spühl Stiftung
Susanne & Martin Knechtli Kradolfer Stiftung
HMSL Stiftung
Dance for All Fondation
Hof zu Wil
Eisenwerk Frauenfeld
Biohof Schüpfenried

Company members



    Artistic direction / Dramaturgy / Sett design / Light design / Performer

    EMILIO H. DÍAZ ABREGÚ began his career as an actor at the “National University of Cordoba” but soon he started working at the theatre lighting field. This allowed him to come in contact with theatre directors, such as Eugenio Barba, Rafael Spregelburd, Rubén Schuzchumacher, Diego Aramburo, and Diqui James. In 1996 he premiered “El Ultimo Pétalo” his “opera prima” as director and playwright. In 2005 his second work, “Estocolmo, La primavera de los llorones” won the Young Creators Fund award from the Culture Secretariat of Cordoba. He participated in more than 100 theatrical productions as director, playwright, performer, light, set designer and rigger. In 2010 he directed “Slaughter” by Sergio Blanco, which received wide recognition. At the end of 2010 the Culture Ministry of Spain awarded him a scholarship for advanced studies at the Centro de Tecnologías del espectáculo (Center of Show Technologies) where he participated of the Arena rigging training. In 2011 he was invited to collaborate with choreographer Exequiel Barreras in the dance piece “ShortCuts,” at the TheaterTanzSchule of St. Gallen, Switzerland, this started a series of collaboration projects with the Switzerland based choreographer resulting in the foundation of the “ROTES VELO Tanzkompanie“. In 2012 he collaborates with Exequiel Barreras and the “Rotes Velo Tanzcompanie” in the creation of the piece “Alberto, der Mann der geht” where he participated as a dramaturge and light designer. At the end of 2012 he manage to combine his passion for theater and his love for climbing and starts working for the Argentinian aerial theatre company “Fuerza Bruta“ joining both national and international Tours (National tour Argentina 2012, Look up tour Beijing China 2013, Look Up tour Seoul Korea 2013, 300 Tour Shanghai, Hangzhou, Beijing, Chongqing, Guangzhou China 2014. In 2015 he starts working with the UK company Wired Aerial joining both pre-existing shows and new productions. Within the structure of Wired he performs several roles: Counter Balancer, Head Rigger, Production Manager, touring worldwide. The collaboration with Wired open the doors for new exiting opportunities such us the reposition of Peter Pan at the Open Air theatre in Regens park London and his participation as Head rigger and Production Manager for the show As the World tipped. Currently he’s work is divided between developing his own projects with the “ROTES VELO Kompanie“ and his involvement with Wired Aerial Theatre in big scale productions such as the Operas CARMEN and RIGOLETTO produced by the Bregenzer Festspiele (AUSTRIA).


    Artistic director / Choreographer / Performer

    was born in Cordoba/Argentina in 1984 and received his first dance and theatre lessons there. In 2001 the Julio Bocca and Chet Walker Foundation awarded him with a scholarship and one year later he became a member of the Ballet Contemporáneo del Teatro San Martín in Buenos Aires where he danced for 7 years. Since 2005 he has been working on his own pieces, which have been shown in Argentina, Germany, Switzerland, Poland and the USA. He works in Europe since 2009. After one season as a dancer at the Landestheater Coburg, he joined the Dance Company of the Theater St. Gallen, where he was engaged as a dancer, and temporarily as assistant to the company, from 2010 to 2014 under the direction of Marco Santi and from 2014 to 2017 under the direction of Beate Vollack. Since the season 2017/18 he is the choreographic assistant and rehearsal director of the Dance Company Konzert Theater Bern alongside Estefania Miranda. There he works with world-renowned choreographers such as Sharon Eyal, Jo Strømgren, Eduard Clug, Bryan Arias, Ihsan Rustem or Felix Landerer. In 2018 he choreographed the piece „My favourite song“ for the Dance Company. In 2011 he founded the ROTES VELO Kompanie with the need to bring artists from different fields together. He develops and explores innovative ways to blur the boundaries of dance, music and theatre. Since then the company has put on over 100 performances and creates one or two new productions every year. In 2016 the company was awarded by the city of St. Gallen "for the development and realisation of new, ambitious and high-quality projects". As artistic director and choreographer he collaborates and creates for productions in the independent scene and at theatres such as Theater St. Gallen, Theater Chur and Konzert Theater Bern.


    Costume design / Setting

    was born in Chur in 1988. After the preparatory design course in Aarau, she completed an apprenticeship as a theatre painter at the Theater St.Gallen. Through an assistant position with the costume designer Filippia Elísdóttir in the costume painting department at the Theater St.Gallen, she was able to gain important experience. Afterwards she got a job in the painting hall of the Theater Bern and Theater Zürich. In 2011 she worked for the first time with Exequiel Barreras for his dance piece "thirty-three", followed by a collaboration with ROTES VELO for many productions.



    was born in Bath in 1992 and completed his education in 2011 at Tring Park School for the Performing Arts. From 2011 to 2013 he completed a Masters course at the London Contemporary Dance School parallel to his engagement with Bern Ballet. Afterwards he danced for one year at the Staatstheater Darmstadt and from 2014-2016 at the Theater St. Gallen. He now works as a freelance dancer throughout Europe. He enjoys working as a teachers assistant and rehearsal director when the opportunities arise and has just begun training to become a Pilates Instructor.


    Production manager

    Born in 1965 in St.Gallen/Switzerland. He is a sociologist and merchant. He lives in St.Gallen and is engaged in various cultural projects. He has been head of Visarte.Ost (administration of the association of artists of Eastern Switzerland). He co-developed the Sitterwerk St.Gallen and co-initiated the hotel-restaurant Militärkantine St.Gallen (historical Hotel 2017) and had a formative influence on its organisation and design. Since 2016 he produced several theatre shows as a freelance cultural manager. He supervises exhibitions, compiles websites and organises the funding of cultural projects. He counsels creatives of all kind and helps to start off projects from the very beginning.
  • Marie Delprat

    Marie Delprat

    Performer / Musical direction

    is a native of Bordeaux/France. She is a musician who morphs into many artistic roles. Although Marie has extensive training in baroque recorder performance, her practice can be split between two halves: early music and new music theater. Instead of creating a dichotomy out of the two worlds, Marie’s aesthetic involves the combination and lifelong adhesion of both. Marie has a Bachelor in Classical Music Studies from the Hochschule der Künste Bern, under the direction of Michael Form (2015), with a pre-college study under the direction of Pierre Boragno in Versailles. She also holds a Master in Composition and Theory in Théâtre Musical from the Hochschule der Künste Bern (2017), and a Master in Pedagogy (2019). Marie is a founding member of two ensembles based in Switzerland: Ensemble Aabat, which is an ensemble oriented towards new creations of new music theater collaborations, and Ling’Ring Lights, which is an early music ensemble naturally tuned towards the art of eighteenth century music transcription. Through projects like her Master degree creation RAGE (2017, performed at the Il Divertimento Festival, IT 2018) and HOME (2018, Musikfestival Bern CH), Marie works not only as performer/flutist, but also curator and collaborator. In ongoing projects with the dance company Rotes Velo (Revolution Dada), and dancer Olive Lopez (ENRAGED–a continuation project of RAGE), Marie is focused on developing dialogues between dance and music–body and instrument–Peatzold recorder and electronics. Her musical work as a composer and musician, is to develop a further relationship between the synthesis of the Peatzold recorder and electronics and can be seen through projects with guitarist Rubin Mattia Santorsa (Label Kairos recording 2017). Marie holds above all her practical work as an example and reflection in her teaching practice. Incorporating new music theater into pedagogy is a passion that Marie relays not only to her private recorder students, but to any beginning instrumentalist or musician.



    was born in 1992 in the Czech Republic and danced from early on at the conservatory Duncan Center in Prague. He completed his studies at the conservatory with the CiS (Certified Specialist). Already at that time he was invited to the Pillole Festival in Milan with his own piece. In 2013, he was accepted by the Jose Limon Institute in New York, where he gained his first extended experience as a professional dancer abroad. He then studied at the Art Academy in the Netherlands and graduated as a dancer and choreographer with a bachelor's degree. As a representative of the Czech Republic, he traveled to China and to the East European Summer Dance Camp, where he represented his country in a dance-like manner from traditional to contemporary dance. In the season 2017-18 he was a stagiaire at the Tanzkompagnie Konzert Theater Bern. Lively in Bern, he works as a freelance dancer with choreographers such as Marcel Leemann, Joshua Monten Dance Company and for the ROTES VELO Kompanie.
  • Viva Foster

    Viva Foster


    was born in England and grew up in Dunedin, New Zealand. At sixteen she moved to Australia to study at the National Theatre Ballet School in Melbourne. Once completing her studies she performed with Chunky Move for their site specific work It Sounds Silly, and undertook placements with Australian Dance Theatre (Adelaide) and Stephanie Lake. Since returning to the U.K., Viva has completed her Masters in Dance Performance at Trinity Laban Conservatoire of Music and Dance and was a member of Transitions Dance Company, touring works by Charles Linehan, Oded Ronen and Cristian Duarte throughout the U.K. and Europe. Most recently she has been working as an aerial performer, specialising in vertical wall and bungee-assisted dance with Wired Aerial Theatre and as a stunt performer in Carmen (Bregenzer Festspiele).


    Performer / singer

    was born in Marseille/France in 1981 and received his dance training at the Conservatoire de Danse in Avignon. He received his first engagement at the Graz Opera. This was followed by the Metros Company in Barcelona, and a period in Berlin where he worked as a freelance dancer. In 2008 and 2009 he participated in the coaching project for choreographers Siwic in Zurich under the direction of Jochen Heckmann and Philippe Saire. From 2009 to 2012 he was a member of the dance company at the Theater St. Gallen. During this time he began his vocal training, among others with Scot Weir (ZhdK Zurich). Yannick left St.Gallen in 2012 and moved to Basel, where he continued his career as a classical singer and dancer. He is currently receiving vocal advice from Heidi Brunner and can be heard on opera stages (Avenches Opéra, Free Opera Company Zurich, Opéra de Fribourg, Schlosstheater Schönnbrunn in Vienna, Opéra Eclaté/FR...) and in sacred music concerts (Ensemble Orlando, Vokalensemble Voce Basel...), as a chorist as well as a soloist. Yannick likes to go beyond the scope of the theatre stage with performances he did in the Kunstmuseum St.Gallen, Lokremise St Gallen, Kunstverein Freiburg/DE, Fondation Beyeler Basel... Yannick has appeared in works by choreographers such as Darrel Toulon, Francesca Harper, Gideon Oberzanek, Tamas Topolansky, Ramon Oller, Joshua Monten, Vanessa Lopez, Marco Santi, Andrea Boll, Jossi Berg/Oded Graf, Patricia Rotondaro, Marcel Leemann, Zaida Ballesteros, Exequiel Barreras, Jitti Chompee, and others.