BRING DAS VELO NACH HAUSE

DIE TRAUMMASCHINE
A co-production with Lucerne Theatre and Tojo Reitschule Bern

The ROTES VELO company celebrates its tenth anniversary with a homage to dreams and theatrical lies. Dreams of friends and strangers, of artists and spectators are collected, interpreted and woven into the work. With a multidisciplinary team consisting of dancers, actors and a musician, the boundaries between truth and lies, between fantasy and reality are explored.

Tagblatt Zentralschweiz writes on the 14.05.2022

«"The Dreaming Machine" thrilled audiences at its premiere on Friday at the UG of the Lucerne Theatre with a great ensemble, whimsical puppets and stirring music.»

«The production teeters between poetic sequences with whimsical puppets, stylised nightmare scenarios and great dialogue that reminds you of Fassbinder films in the best moments.»

«...absolutely successful and detailed production...»

«Grotesque ideas, colourful costumes and a great ensemble make "Die Traummaschine" an experience.»

«In a way, the heart of this absolutely successful and detailed production by the Argentine director Emilio H. Díaz Abregú are the puppets: life-size figures with oversized heads, tiny wooden bending dolls and headless toy dolls.»

«Efficiency instead of passion", as Fellini accuses his crew of, is not to be felt here. »

«Co-operations like this seem to suit the Lucerne theatre well and one wishes for more of them.»

Rread here the full review to "Die Traummaschine"

ABOUT THE PIECE

First day of shooting: The director comes to the set. He has decided to realise a long-awaited and repeatedly postponed project. Fundamental fears of failure torment and inhibit him. Should he postpone the film again and wait for the right time?

And so he persists once again. The film team has the impression that the director is suffering from a creative blockade and tries to get the shoot going, drawing inspiration from the director's earlier films and his dream diaries. The latter are full of contradictory ideas, irrational images and notes that could have come from a madman. Or from a great honest liar who, out of politeness, entertains people with ever new truth. The film team follows the dreamer and ventures from one fast-paced lie to another.

The ROTES VELO company celebrates its tenth anniversary with a homage to dreams and theatrical lies. Dreams of friends and strangers, of artists and spectators are collected, interpreted and woven into the work. With a multidisciplinary team consisting of dancers, actors and a musician, the boundaries between truth and lies, between fantasy and reality are explored.

Watch the Art-tv report here

Trailer vom Luzerner Theater

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THE BOOK "THE DREAMING MACHINE"

Perhaps you have missed or even seen the production of "The Dreaming Machine" and now want to read about it in more detail, then you will certainly enjoy the book. It contains the original version of the 70-page text of the play "The Dreaming Machine" in English and German as well as an illustrated chronology of the company's productions over the past ten years. If you want to celebrate the 10th anniversary with us, get the anniversary book.

Printed book: CHF 25
E-Book: CHF 15

ORDER THE BOOK HERE

  • The printed book will be sent directly to your home without shipping costs. Please leave your address when ordering
  • For the e-book, a download link will be sent to you by email
  • Both will be sent as soon as the corresponding amount has been credited to the following account:
    IBAN: CH80 0900 0000 6176 8374 5

***

CROWDFUNDING For
"the book - the dreaming machine"

Thanks to the many supporters, we have reached our goal and the printing of the book is financed. We thank all the generous supporters who have made this possible.

About the piece

First day of shooting: The director comes to the set. He has decided to realise a long-awaited and repeatedly postponed project. Fundamental fears of failure torment and inhibit him. Should he postpone the film again and wait for the right time?

And so he persists once again. The film team has the impression that the director is suffering from a creative blockade and tries to get the shoot going, drawing inspiration from the director's earlier films and his dream diaries. The latter are full of contradictory ideas, irrational images and notes that could have come from a madman. Or from a great honest liar who, out of politeness, entertains people with ever new truth. The film team follows the dreamer and ventures from one fast-paced lie to another.

The ROTES VELO company celebrates its tenth anniversary with a homage to dreams and theatrical lies. Dreams of friends and strangers, of artists and spectators are collected, interpreted and woven into the work. With a multidisciplinary team consisting of dancers, actors and a musician, the boundaries between truth and lies, between fantasy and reality are explored.

Information

AUTHOR: Emilio H. Díaz Abregú

DIRECTION: Emilio H. Díaz Abregú, Exequiel Barreras

CHOREOGRAPHY: Exequiel Barreras

STAGE: Emilio H. Díaz Abregú

COLLABORATION STAGE: Kirka Marull

COLLABORATION PROPS: Frauke Bockhorn

MUSIC: Raoul Alain Nagel

DRAMATURGY: Melanie Osan

MENTOR OF THE AUTHOR AND DRAMATURGICAL ADVISOR: Gonzalo Marull

GERMAN TRANSLATION: Miriam Denger

REGIEASSISTENTIN: Hannah Nagel

PRODUCTION MANAGEMENT: Jacques Erlanger, Liselotte Hunziker-Kraessig, Luzerner Theater

CAST:
Christian Baumbach (Fellini, Der Maestro)
Tini Prüfert (Die Hauptdarstellerin, Frau P.)
Hugo Tiedje (Der Hauptdarsteller)
Carina Thurner (Die Produktionsassistentin)
Raoul Alain Nagel (Der Komponist)
Viva Foster (Die Amateurin)
Jack Widdowson (Der Hospitant)


Performances

TRAUMMASCHINE 2022

13. May, 20:00 - Premier Luzerner Theater
18. May, 20:00 - Luzerner Theater
21. May, 20:00 - Luzerner Theater
28. May, 20:00 - Luzerner Theater
31. May, 20:30 - Tojo Reitschule Bern

1. June, 20:30 - Tojo Reitschule Bern
2. June, 20:30 - Tojo Reitschule Bern
5. June, 20:00 - Lokremise St.Gallen
6. June, 20:00 - Lokremise St.Gallen
7. June, 20:00- TanzRaum Herisau
9. June, 20:00 - Luzerner Theater
11. June, 20:00 - Luzerner Theater

Supported by

Co-production: Luzerner Theater
Co-production: Tojo Reitschule
Kanton St.Gallen

Stadt St.Gallen
Kanton Bern
Stadt Bern
Burgergemeinde Bern
Gemeinde Herisau
Ernst Göhner Stiftung
Metrohm Stiftung
Migros Aare
Else von Sick Stiftung
IBEX
Lienhard Stiftung
Steinegg Stiftung Herisau

Company members

  • Carina Thurner

    Carina Thurner

    Actress

    Carina Thurner ist in St. Johann im Pongau, Österreich, geboren und aufgewachsen. Erste Spielerfahrungen sammelte sie am Salzburger Landestheater und an der Jungen Burg des Burgtheaters in Wien. Von 2016-2020 studierte sie an der Hochschule für Musik und darstellende Kunst in Stuttgart. Während ihres Studiums arbeitete sie am Schauspiel Stuttgart mit Schorsch Kamerun und Sophia Bodamer zusammen. In ihrem letzten Ausbildungsjahr war sie als Gast am Nationaltheater Mannheim in Bataillon unter der Regie von Marie Bues zu sehen. Ihr Erstengagement führte sie ans Theater Aachen. Mit der Spielzeit 2021/22 kommt sie als festes Ensemblemitglied ans Luzerner Theater.
    PRODUCTIONS
    DIE TRAUMMASCHINE
  • Christian Baumbach

    Christian Baumbach

    Actor

    Christian Baumbach wurde 1984 in Eisenach geboren und absolvierte sein Schauspielstudium an der Hochschule für Musik und Theater Rostock. Während seiner Studienzeit spielte er am Volkstheater Rostock und gewann mit seinem Jahrgang beim Theatertreffen deutschsprachiger Schauspielschulen einen Ensemblepreis als Berlioz in «Der Meister und Margarita» (Regie: Jens Poth). Von der Spielzeit 2011/2012 bis 2019/2020 war er festes Ensemblemitglied am Schauspielhaus Zürich und arbeitete dort unter anderem mit Regisseurinnen wie Karin Henkel, Ruedi Häusermann, Barbara Frey, Sebastian Nübling, Stefan Bachmann, Werner Düggelin, Sophia Bodamer, Daniela Löffner, Alize Zandwijk, Timofej Kuljabin, Clara Dobbertin und Stefan Müller. Mit «Beute. Frauen. Krieg» von Karin Henkel wurde er zum Berliner Theatertreffen und zum Schweizer Theatertreffen 2018 eingeladen. Gastspiele führten ihn an verschiedene deutschsprachige Bühnen unter anderem Thalia Theater Hamburg, Schauspielhaus Hamburg und Deutsches Theater Berlin. Christian Baumbach mag Geschichten. Er erzählt sie gerne auf der Bühne und daheim seiner Tochter. Ab der Spielzeit 2021/2022 ist Christian Baumbach festes Ensemblemitglied am Luzerner Theater.
    PRODUCTIONS
    DIE TRAUMMASCHINE
  • MIRIAM DENGER

    MIRIAM DENGER

    German translation "Die Traummaschine"

    Miriam Denger studierte Angewandte Theaterwissenschaft und Romanistik in Gießen und Pamplona (Spanien) ergänzt um eine theaterpädogische Ausbildung zur Spielleiterin (BuT) in Berlin. Als Dramaturgin war sie an verschiedenen deutschen Stadt- und Staatstheatern im Festengagement, u.a. in Meiningen, Konstanz und Würzburg. Seit 2015 ist sie freischaffende Dramaturgin, sowie Übersetzerin aus dem Spanischen; ein neues Arbeitsfeld, mit dem sie sich als Stipendiatin verschiedener Fortbildungsangebote des Deutschen Übersetzerfonds und als Teilnehmerin der Plattform UniT für dramatisches Schreiben in Graz intensiv auseinandersetzte. Sie übertitelt spanische Gastspiele bei internationalen Theaterfestivals, z.B. für die kolumbianische Gruppe „Mapa Teatro“ bei der Ruhrtriennale, eine langjährige Zusammenarbeit verbindet sie mit dem kubanischen Dramatiker Rogelio Orizondo, u.a. am Theaterhaus Jena. Zuletzt erschienen ist die Anthologie „Mauern fliegen in die Luft“ (Neofelis) zu der sie Übersetzungen von Theaterstücken aus Argentinien, Kolumbien und Kuba beigetragen hat. Sie lebt derzeit bei Landau in der Pfalz. Foto: Ilja Mess
    PRODUCTIONS
    DIE TRAUMMASCHINE
  • EMILIO H. DÍAZ ABREGÚ

    EMILIO H. DÍAZ ABREGÚ

    Artistic direction / Dramaturgy / Sett design / Light design / Performer

    Studied theatre at the National University of Córdoba and soon started working in the theatre lighting field. This allowed him to collaborate with theatre directors such as Eugenio Barba, Diego Aramburo, Diqui James and Philipp Stölzl. In 2005 his second work as a director and playwright, Estocolmo, La Primavera de los Llorones won the Young Creators Fund Award from the Culture Ministry of Cordoba. Since then he has participated in more than 100 theatrical productions as director, playwright, performer, light, set designer and rigger. In 2010 he directed Slaughter by Sergio Blanco, which received wide recognition. At the end of 2010 the Culture Ministry of Spain awarded him a scholarship for Advanced Studies at the Centro de Tecnologías del Espectáculo. In 2011 he founded the ROTES VELO Kompanie with the need to bring artists from different fields together. He develops and explores innovative ways to blur the boundaries of dance, music and theatre. Since then the company has put on over 100 performances and creates one or two new productions every year. In 2016 the company was awarded "for the development and realisation of new, ambitious and high-quality projects" by the city of St. Gallen. At the end of 2012 he started working for the Argentinian theatre company Fuerza Bruta joining both national and international tours (Argentina 2012, China 2013, Korea 2013, 300 Tour China 2014). In 2015 he started working with the UK company Wired Aerial Theatre. This collaboration opened the doors to new exiting opportunities, such us Peter Pan at the Open Air Theatre in Regents Park London, and his participation as Head Rigger and Production Manager for the show As the World Tipped. Currently his work is divided between developing his own projects with the ROTES VELO Kompanie and his involvement in big scale productions such as the operas Carmen and Rigolleto produced by the Bregenzer Festspiele (Austria).
  • EXEQUIEL BARRERAS

    EXEQUIEL BARRERAS

    Artistic director / Choreographer / Performer

    Was born in Cordoba/Argentina in 1984 and received his first dance and theatre lessons there. In 2001 the Julio Bocca and Chet Walker Foundation awarded him with a scholarship and one year later he became a member of the Ballet Contemporáneo del Teatro San Martín in Buenos Aires where he danced for 7 years. Since 2005 he has been working on his own pieces, which have been shown in Argentina, Germany, Switzerland, Poland and the USA. He works in Europe since 2009. After one season as a dancer at the Landestheater Coburg, he joined the Dance Company of the Theater St. Gallen, where he was engaged as a dancer, and temporarily as assistant to the company, from 2010 to 2014 under the direction of Marco Santi and from 2014 to 2017 under the direction of Beate Vollack. Since the season 2017/18 he is the choreographic assistant and rehearsal director of the Dance Company Konzert Theater Bern alongside Estefania Miranda. There he works with world-renowned choreographers such as Sharon Eyal, Jo Strømgren, Eduard Clug, Cathy Marston, Bryan Arias, Ihsan Rustem, Felix Landerer among others. In 2011 he founded the ROTES VELO Kompanie with the need to bring artists from different fields together. He develops and explores innovative ways to blur the boundaries of dance, music and theatre. Since then the company has put on over 100 performances and creates one or two new productions every year. In 2016 the company was awarded "for the development and realisation of new, ambitious and high-quality projects" by the city of St. Gallen. As artistic director and choreographer in Switzerland he collaborates and creates for productions in the independent scene and at theatres such as Theater St. Gallen, Theater Chur, Konzert Theater Bern and Luzerner Theater among others.
  • Frauke Bockhorn

    Frauke Bockhorn

    Collaboration props

    Frauke Bockhorn absolvierte 2011 ihre drei jährige Ausbildung an der Maskenbildnerschule Hasso von Hugo in Berlin. Darauf folgten Festanstellungen in dem Volkstheater Rostock sowie dem Niedersächsischen Staatstheater Hannover. Während der letzten drei Spielzeiten war Frauke während des Sommers ebenfalls bei den Bregenzer Festspielen tätig und übernahm im letzen Jahr die Assistenz der Maske für die Seebpühne der Produktion Rigoletto. Seit Oktober 2021 ist sie Teil des festen Maskenteam in der Nationale Opera&Ballett in Amsterdam.
    PRODUCTIONS
    DIE TRAUMMASCHINE
  • GONZALO MARULL

    GONZALO MARULL

    MENTOR AND DRAMATURGICAL ADVISOR

    Playwright and theatre director. Graduated from the Faculty of Arts of the National University of Cordoba. Author and director of “Yo maté a Mozart?“, “Quinotos al Rhum“, “Pelotero“, “W invasión extraterrestre“, “Medieval“, among others. Dramaturg of Fahrenheit 05, a free version of the novel Fahrenheit 451 by Ray Bradbury and co-author of the theatrical sitcom Maldita Afrodita. He has been awarded with the prizes: "Joven Sobresaliente del 2010" granted by the Cordoba stock exchange foundation; "Cabeza de Vaca a las Artes Escénicas 2004" and "Estímulo a jóvenes creadores 2005" in the category of Best Playwright, awarded by the Centro Cultural España Córdoba and the Agencia Córdoba Cultura respectively. He studied with Mauricio Kartún, Marco Antonio De La Parra, José Sanchis Sinisterra, Sergio Blanco, Vivi Tellas, Sergi Belbel, Suzanne Lebau. He teaches Audiovisual Scriptwriting and Actors/Actresses Direction in the Audiovisual Communication Degree at the Blas Pascal University (Córdoba). In 2015 he premiered "Ex, que revienten los actores" by Uruguayan playwright Gabriel Calderón and received the Provincial Award for Best Director, Best Actor, Best Supporting Actress and Best Play. In 2017 he premiered "Clase" by the Chilean playwright Guillermo Calderón. The play was chosen to participate in the National Theatre Festival of INT and received the Provincial Award for Best Actress and Best Play. In 2019 he premiered "La trágica agonía de un pájaro azul" by Chilean playwright Carla Zuñiga M. and receives the provincial award for Best Costume Design and Best Sound. In 2019 he premiered in Buenos Aires "Reconstrucción de una ausencia", play of his authorship. The play received multiple nominations for the Trinidad Guevara and ACE.
    PRODUCTIONS
    DIE TRAUMMASCHINE
  • Hugo Tiedje

    Hugo Tiedje

    Actor

    Hugo Tiedje wurde 1995 in Nürnberg geboren. Bereits in der Schulzeit spielte er im Jugendclub des Staatstheater Nürnberg, unter anderem als Romeo in «Romeo und Julia» inszeniert von Josephine Köhler. Nach seinem Abitur zog er nach Leipzig, wo er im Schauspiel Leipzig in der Inszenierung «Einige Nachrichten an das All» besetzt war. Anschließend begann er sein Studium in Berlin an der Hochschule für Schauspielkunst «Ernst Busch». Währenddessen spielte er unter anderem am Berliner Ensemble in der Inszenierung «Fahrenheit 451» in der Regie von Alexander Simon, sowie an der Volksbühne Berlin in «Medusa/Nemesis» von Josephine Witt. Außerdem war er Teil der Hörspielproduktion «Masse Mensch» des NDR in der Regie von Christoph Kalkowski. Ab der Spielzeit 2021/22 wird Hugo Tiedje sein erstes Festengagement am Luzerner Theater antreten.
    PRODUCTIONS
    DIE TRAUMMASCHINE
  • JACK WIDDOWSON

    JACK WIDDOWSON

    Performer

    was born in Bath in 1992 and completed his education in 2011 at Tring Park School for the Performing Arts. From 2011 to 2013 he completed a Masters course at the London Contemporary Dance School parallel to his engagement with Bern Ballet. Afterwards he danced for one year at the Staatstheater Darmstadt and from 2014-2016 at the Theater St. Gallen. He now works as a freelance dancer throughout Europe. He enjoys working as a teachers assistant and rehearsal director when the opportunities arise and has just begun training to become a Pilates Instructor. He performed in following productions of ROTES VELO company: Alles Gueti, Pit Stop or the Lollipop Man, Ich bin ... Punk?, Revolution DADA and co-directed the production Kinderaugen in 2021. http://jackwiddowson.com
  • JACQUES ERLANGER

    JACQUES ERLANGER

    Production manager

    Born in 1965 in St.Gallen/Switzerland. He is a sociologist and merchant. He lives in St.Gallen and is engaged in various cultural projects. He has been head of Visarte.Ost (administration of the association of artists of Eastern Switzerland). He co-developed the Sitterwerk St.Gallen and co-initiated the hotel-restaurant Militärkantine St.Gallen (historical Hotel 2017) and had a formative influence on its organisation and design. Since 2016 he produced several theatre shows as a freelance cultural manager. He supervises exhibitions, compiles websites and organises the funding of cultural projects. He counsels creatives of all kind and helps to start off projects from the very beginning. https://www.jacques-erlanger.ch
  • KIRKA MARULL

    KIRKA MARULL

    COLLABORATION STAGE

    Kirka wurde 1977 in Córdoba geboren. Im Jahr 2005 schloss er sein Studium an der Fakultät der Künste der Nationalen Universität von Córdoba ab. Im Rahmen seiner Ausbildung zum Bühnenbildner nahm er am Seminar "Spatial and Object Scenic Design" unter der Leitung von Francisco Nakayama und am Intensivseminar über Szenografie unter der Leitung von Norberto Laino teil. In den Jahren 2005-2013 zog er nach Italien, wo er seine Kenntnisse der bildenden Künste vertiefen konnte und seine Arbeiten an verschiedenen italienischen Orten ausstellte, darunter "Palazzo Broletto" (Como); "Brentart", "ThQU"; Museo Civico Bodini (Gemonio); "SpaziArti Ungallery" (Mailand); Spazio VerganiUno (Varese); Il Borgo Gallery (Mailand); BlanChaert Gallery (Mailand); Museo d'Arte Contemporanea (Scopoli di Foligno). Sein Werk "La Zattera di Lampedusa" wurde in dem Buch "Il Nuovo Stato e Società" von Bruno Mancini, Riccardo Marchese, Domenico Greco und Luigi Assini (Ed. La Nuova Italia 2012) veröffentlicht. Einige seiner Werke werden derzeit von der Saatchi Gallery in London ausgestellt und vermarktet. Seit seiner Rückkehr nach Argentinien hat Kirka an verschiedenen Produktionen als Bühnenbildner und Konstrukteur mitgewirkt, darunter: "Sapiensrabia" - unter der Regie von: Lisi Estaras - Teatro Municipal General San Martin, sala Martin Coronado (CABA); "La trágica agonía de un pájaro azul"- Regie: Gonzalo Marull "Ni te cuento cuánto" - Regie: Carolina Barbosa - Teatro El Camarín de las Musas (CABA); "Vernáculos" - unter der Regie von: Lisi Estaras. Centro Cultural Kirchner (CABA), "La madrugada en que los perros conocen a Dios" - Regie: Guillermo Baldo, Sala Carlos Giménez Teatro Real; "Clase" - Regie: Gonzalo Marull. Preisträger des Premio Provincial de Teatro de Córdoba 2018; "Ex que revienten los actores" - Regie: Gonzalo Marull. Gewinner des Premio Provincial de Teatro de Córdoba 2016; "El niño y los sortilegios"- Teatro Real y Libertador San Martin; "Ella en mi cabeza" - Regie: Omar Rezk; "Tosca" - Teatro del Libertador General San Martin; "El lago de los cisnes" - Teatro del Libertador General San Martin; "Cascanueces" - Teatro del Libertador General San Martin; "Lettres jamais envoyées" - Regie: Camillo Valle (Mailand, Italien).
    PRODUCTIONS
    DIE TRAUMMASCHINE
  • RAOUL NAGEL

    RAOUL NAGEL

    Musical director / performer

    The singer and composer lives and works in Switzerland and Germany, where he writes and performs music for Theater and TV. Since 2017 he is responsible for the musical score of the German crime show WAPO Bodensee. Raoul Nagel sang as a frontman for the Swiss bands K-tharsis, Culture Connection and The Moment Yes and was part of the first movement of Swiss Poetry Slams. He was DJ and host at the local radio Toxic.fm, working for two different formats and producing jingles and radio plays. At the Theater St. Gallen he worked as a technician, composer and live musician. His efforts brought him to different theater houses in Germany, Austria and Switzerland. In 2016 Raoul Nagel has worked with Rotes Velo for the first time and was since then part in many projects and performances along the way, be it as performer on stage or as musical director. As media composer he produces and writes for many genres and formats, such as RBB Berlin, for radio and internet, talks shows and podcasts, commercials and image films. https://www.raoulnagel.com
  • Tini Prüfert

    Tini Prüfert

    Actress

    Tini Prüfert wurde 1974 in Hamburg geboren und wuchs auf in Ahrensburg und London. Ihre Schauspielausbildung absolvierte sie 1994 bis 1997 an der Hochschule für Musik und Theater in Hamburg. Währenddessen war sie Gast am Schauspielhaus Hamburg, dem Thalia Theater und auf Kampnagel. Engagements führten sie unter anderem an das Stadttheater Bern, ans Theater Baden-Baden, an die Landestheater Tirol und Neuss und zuletzt ans Theater Ulm. Sie verbinden Arbeiten mit den Regisseur*innen Oliver Haffner, Karin Drechsel, Claudia Brier, Dominik Günther, Hanna Rudolph, Andreas von Studnitz, Katja Langenbach, Jasper Brandis, Cordula Jung, Ivna Zic, Antje Thoms, Nilufar K. Münzing und Jessica Cremer. Daneben war sie auch für Film und Fernsehen sowie für den Rundfunk als Schauspielerin tätig. Ihr ständiger Begleiter ist die Musik. Als Sängerin ist sie mit verschiedenen Programmen und Besetzungen unterwegs: u.a. Hamburger Kammerspiele, Grüner Salon der Volksbühne, Theater im Frauenhofer München, Kampnagel Hamburg. Im Herbst erscheint ihre CD «Damensattel». Ab der Spielzeit 21/22 wechselt Tini Prüfert ins Festengagement ans Luzerner Theater.
    PRODUCTIONS
    DIE TRAUMMASCHINE
  • Viva Foster

    Viva Foster

    Performer

    was born in England and grew up in Dunedin, New Zealand. At sixteen she moved to Australia to study at the National Theatre Ballet School in Melbourne. Once completing her studies she performed with Chunky Move for their site specific work It Sounds Silly, and undertook placements with Australian Dance Theatre (Adelaide) and Stephanie Lake. Since returning to the U.K., Viva has completed her Masters in Dance Performance at Trinity Laban Conservatoire of Music and Dance and was a member of Transitions Dance Company, touring works by Charles Linehan, Oded Ronen and Cristian Duarte throughout the U.K. and Europe. Most recently she has been working as an aerial performer, specialising in vertical wall and bungee-assisted dance with Wired Aerial Theatre and as a stunt performer in Carmen (Bregenzer Festspiele).